I went surfing this morning, and it was
coooold. At least I could feel my toes, thanks to a new pair of booties. A few weeks ago, I kept feeling something nipping at my feet after about 20-30 minutes in the water. I thought I had some seaweed caught in my toes, but then I realized it was actually
my toes themselves, completely numb, flapping in the water. With the booties, I was able to stick it out for more than an hour before the cold got to me. I'm ready for summer to bring a little warmth.
There can be a lot of down time between sets of waves, and while I'm out there paddling or waiting around, I often get a song stuck in my head. It happens to everyone — certain activities trigger certain songs. A vacation a few years ago to a tiny idyllic island in an archipelago off the coast of Panama was nearly ruined when my mental shuffle played "Panama" and "La Isla Bonita" on infinite loop. A lot of times when I'm attempting to surf, this Big Drag song pops into my head:
Unless you lived in central Texas during the late '90s, you've almost certainly never heard of Big Drag, an obscure three-piece from San Antonio and one of all-time my favorite Texas bands. Big Drag was fairly popular in Austin's garage-punk scene at the time, yet they didn't quite fit the typical garage-punk mold. They had the sound — simple, '60s-inspired, three-chord rock doused in a sea of reverb & distortion with surf drums and repetitive quarter-note bass lines, but their songs were very poppy, melodic and lyricaly rather bittersweet at times. They sounded like a white trash Texan version of the Jesus & Mary Chain. Although Big Drag's singer/guitarist Milton Robichaux claimed never to have heard that seminal UK band, you could easily imagine the Reid brothers singing this:
I
loved Big Drag. And although I only discovered the band after moving to Austin, I felt a certain connection, having grown up in San Antonio. Their music somehow captured the mixed feelings I have about my hometown, particularly the track "Someday," from the band's first 7" EP, in which bassist Colin Jones reminisced about youthful days sneaking out to drink beer, then one day suddenly noticing that all his friends had moved away.
It's funny hearing "Big Drop" now, because all the surf lingo actually does make sense, and I don't imagine that Milton ever surfed a day in his life. Of course I could be dead wrong and Milton actually had a previous life as a fierce ripper on the small brown waves of the Gulf coast before settling down in land-locked SA, but I prefer to believe that he wrote the song after a catching a Frankie Avalon marathon with a six-pack of Lone Star tallboys.
Sometime around 1995 or 1996, Yo La Tengo played a huge show in Austin at Liberty Lunch (RIP). YLT was touring in support of the Matador release
Electro-Pura and was already well-known in the college/indie circles, and Spoon was opening for YLT in Austin, as they had just signed with Matador to release their debut LP
Telephono. The night before the Austin date, however, some YLT fans had booked the band another last-minute show in San Antonio at a tiny punk & tejano dive called Tacoland (RIP), where Big Drag opened. Realizing the opportunity to see YLT in such an intimate venue with one of our favorite Texas bands, some friends and I road-tripped down for the show. The Austin show was huge and loud and amazing, and we were all giddy with excitement for Spoon's big break. In San Antonio, YLT played an entirely different set geared toward the smaller venue, with a number of mellower and lesser-known songs. It was a magical weekend.
At the San Antonio show, Big Drag played one of their staples, a fuzzed-out, hazy cover of The Beach Boys' "Little Honda," taking the oldie and making it their own. When YLT took the stage (and by "stage," I mean the tiny corner of the room where the bands played), frontman Ira Kaplan commented how much he enjoyed Big Drag's take on the song. A year or so later, Yo La Tengo released their next album,
I Can Hear the Heart Beating as One, and it was like a punch in the stomach when I saw "Little Honda" in the track listing. I tore open the CD and skipped to track nine... there it was: a fuzzed-out, Big Drag-style take on The Beach Boys' classic. No mention of Big Drag anywhere in the liner notes. This sound was a complete departure for Yo La Tengo, yet how similar does it sound to Big Drag? Listen and judge for yourself:
Not only did YLT ape Big Drag without credit for the album cut, they released a whole "Little Honda" EP and toured through Texas multiple times afterwards without ever acknowledging or thanking Big Drag for the inspiration. As much as I loved YLT up to that point (and still enjoy listening to those early records), it really left a bitter taste in my mouth. I mean sure, it was a cover, so it's fair game. But they ripped off the idea, the style and even the choice of song from Big Drag — no question. YLT was already a very successful touring band with a record deal, and where was Big Drag? YLT could've at least thrown Big Drag a nod in the liner notes or something. Bad form.
Big Drag only released two 7" singles and one full-length CD before they stopped playing sometime in the late '90s. There was also a bootlegged demo circulating with a handful of additional unreleased songs that many Big Drag fans have on cassette. I don't know if you can find any of those releases now, but they're worth tracking down. I'll leave you with one more track from their album to finish this post:
I heard Big Drag recently played a reunion show in San Antonio. I wish I could have been there drinking a Lone Star tallboy and nodding along.
UPDATES:Since making this post, a couple of people have let me know that Yo La Tengo did finally give Big Drag a shout out many years later at a show somewhere in Austin or SA. Phillip Niemeyer says he asked Milton about it one time, and Milton said, "No big deal. We rip other people off, too."
Matt Murillo confirmed that Milton did indeed surf at Corpus Christi in his younger years, and Jennifer LaSuprema reports that Big Drag plays once a year at an annual rock & roll wake called
Ram Jam in rememberance of Tacoland's owner, Ram Ayala, who was tragically murdered during a late-night robbery of the bar four years ago.
Also, according to
Big Drag's MySpace page, a small box of the band's album was recently discovered in a warehouse behind a giant roll of linoleum flooring, and those CDs are
for sale here. Get one while they last!